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Close to the Surface & The Intertwining Line


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CRUMB researcher Verina Gfader (aka sissu tarka) is exhibiting in the following exhibitionsClose to the Surface: Digital Presence
Institute of Contemporary Arts, London
3 - 10 Nov 2008


PANEL DISCUSSION
4 november: 6.30pm:
£5/£4 concessions/£3 members:
to book a place: 020 7930 3647
ica.org.uk

This project explores the role of surface within fine art digital print from a variety of perspectives including those of practitioners, critics, publishers and curators. It will investigate how it is possible to articulate the unique surface qualities of digital print and explore ways, through engagement with the technology, of creating personalised surfaces which reflect the artist’s needs.

Convenor and chair: Dr Barbara Rauch.
Participants: Professor Paul Coldwell, Dan Hays, Christian Nold, Bruce Gernand, Kathy Prendergast, Jonathan Kearney, Sissu Tarka.

ica.org.uk/Close%20to%20the%20Surface%20discussion+18391.twl


EXHIBITION
private view: 5 november: 6.30pm
to add your name to the private view guest list email closetothesurface [at] gmail.com

exhibition open: 3–9 november:
12–7pm (9pm thursday 6):
Digital Studio, Concourse & bar: free:

An exhibition of work-in-progress from a two-year project, The Personalised Surface within Fine Art Digital Printmaking. The works here explore the role of surface within an expanded concept of digital fine-art printmaking.

The exhibition will include work by Paul Coldwell, Bruce Gernand, Sissu Tarka, Dan Hays, Tim Head, Christian Nold, Kathy Prendergast, Barbara Rauch.

Curated by Barbara Rauch and Jonathan Kearney.

Close to the Surface: Digital Presence
FADEresearch

supported by AHRC


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The Intertwining Line, Drawing as Subversive Art
Cornerhouse Manchester
7 Nov - 11 Jan 2009

Artists: Catherine Bertola, Rachel Goodyear, Margaret Harrison, Melanie Jackson, Naomi Kashiwagi, Ulrike Lienbacher, Dan Perjovschi, Guto Nobrega, Sissu Tarka

Curator: Tereza Kotyk

The exhibition The Intertwining Line explores early and contemporary animation and its intertwined relationship with contemporary drawing. The exhibition features work by nine artists, including internationally acclaimed artists Dan Perjovschi and Margaret Harrison, a new generation of British artists, such as Melanie Jackson, Rachel Goodyear and Naomi Kashiwagi, alongside screenings of Czech animations and films selected from the Tricky Women festival. Animation is often considered to be childlike entertainment, however the radical potential of the medium has a long history - whether this is the implicit social criticism that is hidden within early Czech animation, or the use of humour to create powerful social commentary in modern artists’ animations. Drawing also has this potential and this can be through meticulously crafted images that merely hint at social unease or speedily drawn sketches which carry a powerful charge of immediacy to create political statements.
Keywords:

  fine art
  animation
  drawing
  criticism

People:

  CRUMB
  Verina Gfader
  Barbara Rauch